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Horizons 17:36
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about

The music of Žibuoklė Martinaitytė (b. 1973) is emotion-driven and dynamic, but her creative process is rational and well organized. She confesses, 'It happens that sometimes, in the early stages of a piece I become fascinated with mathematical equations, structures and diagrams; I find them aesthetically pleasing. Later, I begin changing everything, reshaping things, and subsequently, conceal the existence of these formulae'.

Each of her pieces has a distinct sound system, and structurally, her compositional models are never repeated. The character and dynamic development also differ substantially. Nevertheless, there is a stylistic unity in her works, an authentic signature. This signature is embedded in an enormous emotional intensity, which does not explode with unrestrained fortes and mighty tuttis. The high voltage of her music absorbs the listener into the state of an agitated, or perhaps vigilant anticipation, until being ambushed by an unexpected emotional blast. The angst and surprise attack are the trademarks of Martinaitytė and are characteristic of her artistic logic and emotional intelligence.

Jūratė Katinaitė

credits

released December 31, 2017

PERFORMERS:
Lithuanian State Symphony Orchestra, conductor - Mārtiņš Ozoliņš (1)
Volti (San Francisko), conductor - Robert Geary (2)
Ergo Ensemble (Toronto), conductor - Alex Pauk (3)
Lithuanian National Symphony Orchestra, conductor - Juozas Domarkas (4)
Karen Bentley Pollick - violin (5)

Editing (No.1, No.2) - Tadas Dailyda
Editing and mastering - Arūnas Zujus (MAMA Studios)
Liner notes - Jūratė Katinaitė
Translation - Vanda Gaidamovič
Photographs - Philip Van Keuren
Design and Layout - Laura Grigaliūnaitė
Executive producer - Eglė Bertašienė

. . .

Supported by the Lithuanian Council for Culture and the Ministry of Culture of the Republic of Lithuania
Partner - Vilnius Festivals

© Music Information Centre Lithuania, MICL CD97, mic.lt

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miclithuania Vilnius, Lithuania

A niche label, covering the diversity of Lithuanian art music, ranging from extreme experiments to contemporary classical innovations and practices.

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